This is the home page of the Abingdon & Witney Foundation in Art & Design website. On the site you can find news and updates, photographs of project work, party plans, briefs, exhibition news, recommended websites, the images from Paul's weekly lectures, etc.


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This is your website so please use it to keep up to date with  news,  projects, information, ideas, images, lectures...




NEW STUDENTS: YOUR SUMMER PROJECT IS AT THE 

BOTTOM OF THIS PAGE -  MASQUERADE


Punting was brilliant. A perfectly calm summer afternoon spent on the Cherwell was shattered by the shrieks of hilarity from our A & W flotilla. Lewis thoughtfully provided water pistols and, along with Vicky C, must take ultimate responsibility for the drenchings that resulted from the escalation of hostilities. Umbrellas were deployed defensively but to little avail. Vicky R discovered, in slow motion,  the importance of planning how to get from punt A to punt B. Hatty demonstrated considerable skill in the art of long distance strawberry feeding. The evening continued at the Jericho Arms with Pimm's and chips balancing elegance and necessity. After the agony of watching Ghana being robbed of success, we all made our sentimental farewells.....Have a great summer everyone and keep in touch!


 



 

 

 All photos above by Jay - for which, many thanks...

 




 




What a fantastic night! The sun shone, the crowds gathered, the whole exhibition looked so professional. Even the ice cream van tied in with the Wish You Were Here yellow theme! There were lots of compliments from our guests. It is hard to imagine a better ending to an amazing year. 

Emma says to say that was the best and biggest bunch of flowers she ever received. Peter gave a statesman-like speech and loved his Japanese Maple tree, which is even the right colour for his usual maroon outfit....


The exhibition's presentation looked stunning and this is in large part due to the work of superhero LEWIS who worked tirelessly to help each of you show your work to its very best. Thank you so much LEWIS and also Sarah for her help too and unfailingly smiling approach....


Everyone helped make the show look so good but special thanks must go in my view to LUCY K for the fantastic imagery on the PV card, on the 'zine, on the wall, and the Creepy Little Bucket Girl who normally hides in April's room. She gave an extra edge. Oh and the teatowels...Thanks so much, Lucy. And Buffy too for the lovely Year Book. Emma and I spent part of Friday morning reading through our own special copies with lovely little messages from each of you. I shall treasure mine! Thank you so so much.


Thursday evening ended for me with a fifteen minute sprint to get my last train. Just made it with about a minute to spare!


Amazing cake - many thanks to Vicky C's Gran...


DON'T FORGET YOUR BACK UP WORK WILL NEED TO BE LABELLED VERY CLEARLY AS FMP WITH YOUR TITLE AND YOUR NAME AND PUT INTO YOUR PLACE READY FOR MARKING. YOU WILL NEED TO PUT YOUR FULLY COMPLETED EVALUATIONS IN POSITION TOO TOGETHER WITH YOUR ESSAYS

 

 

 



 

 

 

Here is a photo of the Himalayan Blue Poppy flowering in my garden:


 and my favourite rose too


 

 

  

 

 

THE FASHION SHOW WAS AMAZING - CONGRATULATIONS TO ALL THE STUDENTS INVOLVED -  TO NAT, LUCY AND TO RICHARD AND THE MEDIA LADS!



 

THANKS TO ALEX FOR MODELLING....





NEW STUDENTS' SUMMER PROJECT



MASQUERADE

AIMS:

This is your first project, the Summer Project. We would like you each to research and fabricate a flat-pack 'mask' which you can take to Brussels.  Essentially, the mask has been a device worn over the face and is central to Greek drama where highly stylised masks completely conceal the actor's faces to denote specific emotions. The mask is also indelibly associated with the Venetian festival of Carnival, where the adoption of a mask promoted and disguised licentious behaviour in a stylish and elegant display, endlessly various in their form and theme. The aim of your project is to encourage you to be highly experimental and imaginative in creating a mask of your own which you will wear in Brussels. (Not all the time!)

FOCUS:

 

We would like you to take your inspiration from an important element in Belgian culture, which we might term the 'absurd', an appetite for bizarre and strange imagery. This strand emerges in the work of graphic artists such as Hergé (who wrote Tin Tin) which we shall see for ourselves in the city's famous museum devoted to comic strip art as well as the work of key Belgian artists such as Paul Nougé, Marcel Broodthaers and Michael Borremans. You are all familiar with the work of the painter Magritte, no doubt. He is the famous Belgian painter known for his paradoxical paintings in which logic takes a back seat. We shall see his work in Belgium. Objects inexplicably mutate, shape-shifting and changing their scale. Often classified as a Surrealist, Magritte is better understood as representative of a specifically Belgian response to the same stimuli that evolved into  Paris-based French Surrealism. We would like you to look at Magritte's work closely before embarking on the masks. Think carefully how his work might help influence your design - don't slavishly transcribe his style, rather we would like you to explore his thinking, his interest in the way painting may be used to question the nature of the real and the imagined, often fusing the two in lyrical and perplexing ways. It is this approach we see in so much contemporary Belgian work.

 

The second key focus of this project revolves around the concept of shift. We would like your masks to be capable of flat-packing - after all, you will need to take them to Brussels in your luggage. But that provides another opportunity beyond mere practicality - we want your masks to unfurl, to unfold, to flap open, to articulate and shift in exciting ways. You will need to be ingenious in this, thinking how to use simple mechanisms such as hinges, pivots, pleats or rouching. There are impressive precedents for you to explore: look at the head pieces made by the German artist Rebecca Horn which use real bird feathers to create head pieces which unfurl and became vital props in her amazing, magical performances.  Of course, there are important fashion designers to explore too who make adaptable garments, including the Turkish-born British designer Hussein Chalayan. Try to find your own sources of inspiration to add a contextual grounding for your project.

 

Good luck!  Emma, Jan and Paul 

 

Outcome/s: (Minimum):

 

         A fully functioning mask/head piece/sculpture which can be flat-packed

   Documentation of the research and fabrication of your work

Suggested Reading/Research

Explore the work of Magritte: http://www.renemagritte.co.uk/   and

http://www.musee-magritte-museum.be

Explore the work of Rebecca Horn http://www.rebecca-horn.de/pages/biography.html

Explore the work of Hussein Chalayan http://www.husseinchalayan.com/#/home/ 

 

Belgian artists to explore:

Paul Nougé

Michael Borremans

Hergé

Marcel Broodthaers

E L T Mesens


 

 

 

 

FIRST YEAR PART TIME STUDENTS : YOUR BRIEF IS ON YOUR PAGE

YOUR THEME IS:                                               

 

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