Online Gallery here:

Images online for Pop Art Lecture 

 

 
POP ART :  CONSUMING PASSIONS
    
1    Stan Wayman,  Banker Dan Bramwell Shows His Bonus To Town's Employees During Recession, March 1958
2           Money
3    Citigroup Bonus
4    Scumbag Millionaire Tee Shirt, 2009, 14.99 from www.philosophyfootball.com
5    iBanker, 2009
6    Kasimir Malevich, Black Square,  1913(?)
7    Kasimir Malevich, Black Square, 0.10 exhibition installation in Moscow, 1915
8    Michael Landy, Breakdown,  February, 2001
9    Michael Landy, Breakdown,  February, 2001
10    Michael Landy, Nourishment,  etching.  2002
11    Asley Bickerton, Tormented Self-Portrait,  1987
12    Culture Jammers, Declare Independence From Corporate Rule, n.d.
13    From the Adbusters website (accessed March 19th , 2009) http://www.adbusters.org/
14    Street in Tokyo, c. 2006
14    Hikikimori, Japan, 2007
15    Hikikimori, Japan, 2007
16    Cited text
18    Sam Francis, Shining Black, 1958
19    Claes Oldenburg, Pepsi Cola Sign, 1961
20    Hans Namuth, Jackson Pollock, at work in his Studio, Long Island, 1950
21    Robert Rauschenberg, Bed, 1955
22    Robert Morris, 37 minutes, 3879 Strokes, 1961
23    Robert Raushenberg, Erased de Kooning drawing, 1959
24    Roy Lichtenstein, Yellow and Green Brushstrokes, 1966 (detail)
25    Roy Lichtenstein, Drowning Girl, 1963
26    Tony Abruzzo (graphic artist) with Ira Shnapp (lettering), "Run for Love!" from Secret Hearts, 83, November 1963 © D. C. Comics
27    Milton Canif, Terry and the Pilates, 1940 © Tribune Company Syndicate
28    Kurt Schwitters, Untitled (for Kate), 1947
29    Eduardo Paolozzi, I Was a Richman's Plaything, 1947
30     Eduardo Paolozzi, Untitled Collage, 1949
31    Alexander Rodchenko, About This, 1923
32    Kurt Schwitters, The Kots Picture, 1920
33    Richard Hamilton, Just what is it that makes today's homes so different, so appealing?, 1956
34    Anonymous wallpaper advertisement, n.d.
35    David Hockney, Tea Painting In The Illusionistic Style, 1961
36     Peter Blake with John Haworth, St. Pepper's Lonely Heart Club's Band © Apple Corps Ltd.,  ( L. P. pullout), 1967
37    Peter Blake, Toy Shop, 1962
38    Peter Blake, Self-portrait with Badges, 1961
39    Andy Warhol, Single Elvis, 1964
40    Andy Warhol, The Twenty Five Marilyns, 1962
41    Philippe Halsman, Marilyn Monroe, Life 7, April 1952
42    Andy Warhol, The Marilyn Portfolio, 1967
43    Richard Hamilton, My Marilyn (Paste-Up), 1964
44    Poster for "Have Image, Will Travel!", Oxford University Divinity School, October, 1959
45    Installation photograph of "Have Image, Will Travel!", Oxford University Divinity School, October, 1959
46    Allen Jones, Chair and Table,  both 1969
47    Peter Phillips, Custom Painting No. 5, 1965
48    Tom Wesselmann, Great American Nude # 54, 1964
49    Tom Wesselmann, Still Life, 24, 1962
50    Andy Warhol, Campbell's Soup Can I, 1968
51    Andy Warhol, Green Coca Cola Bottles, 1962
52    Robert Rauschenberg, Coca Cola Plan, 1958
53    Andy Warhol, Tunafish Disaster, 1963
54    Andy Warhol, Electric Chair, 1961
55    Andy Warhol, Orange Car Crash 10 Times, 1963
56    Andy Warhol, shop window display, New York, April, 1961
57    James Rosenquist, President Elect, 1960-61
58    James Rosenquist, F111, 1965 (detail)  
59    Larry Rivers, Friendship of France and America, 1961-62
60    Wolf  Vostell, Miss America, 1968
61    Oyvind Fahlström, Roulette (Variable Painting), 1966
62    Mimmo Rotelli, Cinemascope, 1962
63    Anonymous, Advertisement for Cadillac Cars, 1956
64    Anonymous advertisement collected by Claes Oldenburg (Clipping # 322: Lipstick from a British Publication, 1965)
65    Claes Oldenburg, Lipstick (Ascending) on Caterpillar Tracks, 1969 (reworked 1974)
66    Anonymous, Porcelain flat-backed Bedfordshire Urinal ©, with lip, from A. Y. MacDonald Mfg. Co. Catalogue,  1912
67    Marcel Duchamp aka R. Mutt, Fountain, May 1917 (photograph by Alfred Stieglitz as reproduced in The Blind Man, May 1917)
68    Claes Oldenburg, Soft Toilet, 1966
69    Andy Warhol, Brillo, Del Monte, Heinz Boxes, Stacked, 1964
70    Gold Award packaging (Metal Container Section One) for J. Walter Thompson Company
71    Jasper Johns, Painted Bronze, 1960
72    Ashley Bickerton, Tormented Self-Portrait, 1987-8
73    Jeff Koons, New Shelton Wet/Dry Double Decker, 1981-86
74    Haim Steinbach, Untitled, 1987
75    Roy Lichtenstein, Magnifying Glass, 1963
76    Jeff Koons, Michael Jackson and Bubbles, 1988
77    Anonymous, Michael Jackson, 1990s


Recommended reading:

Marco Livingstone, Pop Art - A Continuing History, Thames & Hudson, 2000
Lucy Lippard, Pop Art, Thames and Hudson, 1966
Tilman Osterwold, Pop Art, Taschen, 1991
http://www.adbusters.org/

http://www.artlex.com/ArtLex/p/popart.html


 

 Claes Oldenburg 1961 manifesto:

 

I am for an art that is political-erotical-mystical, that does something other than sit on its ass in a museum.
I am for an art that grows up not knowing it is art at all, an art given the chance of having a staring point of zero.
I am for an art that embroils itself with the everyday crap & still comes out on top.
I am for an art that imitates the human, that is comic, if necessary, or violent, or whatever is necessary.
I am for an art that takes its form from the lines of life itself, that twists and extends and accumulates and spits and drips, and is heavy and coarse and blunt and sweet and stupid as life itself.

I am for an artist who vanishes, turning up in a white cap painting signs or hallways.

I am for an art that comes out of a chimney like black hair and scatters in the sky.
I am for an art that spills out of an old man's purse when he is bounced off a passing fender.
I am for the art out of a doggy's mouth, falling five stories from the roof.
I am for the art that a kid licks, after peeling away the wrapper.
I am for an art that joggles like everyones knees, when the bus traverses an excavation.
I am for art that is smoked, like a cigarette, smells, like a pair of shoes.
I am for art that flaps like a flag or helps blow noses, like a handkerchief.
I am for art that is put on and taken off, like pants, which develops holes, like socks, which is eaten, like a piece of pie, or abandoned with great contempt, like a piece of shit.

I am for art covered with bandages, I am for art that limps and rolls and runs and jumps. I am for art comes in a can or washes up on the shore.
I am for art that coils and grunts like a wrestler. I am for art that sheds hair.
I am for art you can sit on. I am for art you can pick your nose with or stub your toes on.
I am for art from a pocket, from deep channels of the ear, from the edge of a knife, from the corners of the mouth, stuck in the eye or worn on the wrist.
I am for art under the skirts, and the art of pinching cockroaches.

I am for the art of conversation between the sidewalk and a blind mans metal stick.
I am for the art that grows in a pot, that comes down out of the skies at night, like lightning, that hides in the clouds and growls. I am for art that is flipped on and off with a switch.
I am for art that unfolds like a map, that you can squeeze, like your sweetys arm, or kiss, like a pet dog. Which expands and squeaks, like an accordion, which you can spill your dinner on, like an old tablecloth.
I am for an art that you can hammer with, stitch with, sew with, paste with, file with.
I am for an art that tells you the time of day, or where such and such a street is.